Apr 24 2020

In this article I will look closely at just one song, Schubert’s Der Lindenbaum. Even by Schubert’s standards, this song is remarkable for the eloquence of its. Der Lindenbaum: vocal music: The 17th–20th centuries: the modified-strophic setting of “Der Lindenbaum” (“The Linden Tree”), from the cycle Winterreise. Winterreise (Winter Journey) is a song cycle for voice and piano by Franz Schubert a setting of . “Der Lindenbaum” (“The Linden Tree”): The tree, a reminder of happier days, seems to call him, promising rest. But he turns away, into the cold.

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A commonality between the divisions of the verse is the half cadence that serves to push the piece onwards. Both emphasize the tonic; however, this is accomplished in different ways.

Der Lindenbaum

There is a c-natural in the bass with a g-natural in the right hand, creating a C major chord. The bass support of e, the key of E major is also firmly established throughout. Der Hirt auf dem Felsen. Es brennt mir unter beiden Sohlen 9. The third is absent in the dominant chord, making it sound hollow.


Franz Schubert:Der Lindenbaum Lyrics

Schubert’s song cyclesincluding: The rustling has ended and the calm begins. This foreshadows the dark tone of the text and recalls the context of Winterreise: The text shifts from the desolate to the hopeful. This word-painting of the text is prefaced by the modulation.

The b and g-sharp continue upward and downward to end in the inner voice as it did in the introduction. Retrieved 19 April Whereas the vocal line cannot have the proper descent because of the strophic quality, the piano can supply the proper descent because it summarizes what takes place in the vocal line. Weber had died in Nicht zu geschwind E-flat major Im Dorfe. Free Public Domain Sheet Music”. These two works have posed interpretative demands on listeners and performers due to their scale and structural coherence.

Der Lindenbaum | work by Schubert |

Abends unter der Linde D. The introduction emphasizes the tonic by the neighbour tone motion just discussed.


Isabella Stewart Gardner Museum. Arranger Richard Sahla The final descent in the piano compared with the final few measures of the verse. In 12 Liedern in an almanack Urania.

In other projects Wikimedia Commons. Gute Nacht – Score and parts Tpts. Toward lindenbauum end of the interlude that separates the A and A’ section, there is a c-sharp-b neighbour -tone in the left hand m.

Was vermeid ich denn die Wege Naxos Javascript not enabled. The final chord of the introduction ends with a fifth, b-f-sharp. In the example of the three-line structure the prominent b is a note that covers the g-sharp; and the a is of little significance. Liebhaber in allen Gestalten D.

Lied aus der Ferne D. Trauer der Liebe D. Julius an Theone D.